Some 4 months passed between my Evolve Live!s arriving and
the ambient pack being ready. Whilst a touch frustrating, I would rather wait
for the pack to be made to the usual ACS Custom standard than have it rushed.
With the new products (including the George Martin limited edition) it’s
understandable that it took longer to get to this point.
I would note that ACS took the time to contact me when one
was available and serviced my Evolves as part of the order, so my experience of
their customer service is very positive.
Obviously I did the only thing possible in that situation and
donned my Evolve Live!s and plugged the
pack in. Before I get to testing these in loud environments I wanted to see
just how good the ‘wideband, natural response’ microphones were. So I just got
on with life, boiled the kettle, talked to my kids, watched a few minutes of
TV, listened to the radio, etc.
The Pack
The controls are pretty intuitive. On the top with the 2
sockets is a volume/mix control that sets the level for the mics. On the side
is a multiway encoder for navigating the menu for PADs , auto volume control
and gain control. You can also switch the mics on/off from here, which is
handy. On the opposite side is the sliding power switch.
In a low volume setting I found the mics to be outstanding.
I was slightly fearful that they would sound compressed and a little dull, with
some higher frequencies missing. I’m pleased to say that I needn't have worried
and, apart from being able to turn the volume down they sounded extremely
natural. Sources sound as they should and you can quickly forget that you’re
listening to them rather than the source directly.
Probably my greatest hope for these was the promise of
binaural sound. If you've ever tried to use a traditional setup for ambient
micing on stage, you’ll know that it’s really flawed; you can never quite hear
what you want and often hear lots of things that aren't near you. With these,
the sense of space is restored and, with my eyes closed, I could still place
sounds properly in 3 dimensions.
Again in low volume settings this felt so ‘normal’.
In fact the best thing about this setup is that there’s just no learning curve.
It’s far less of an adjustment than you’d usually have from wedges to IEM’s for
example.
Using it Live!
Having got used to it all it was time to use it live; both
whilst drumming and on monitors.
On drums I found myself playing with the ambience to add to
the monitor mix which gave both space, and the ability to hear band members
talking (I’m no fan of having to take your IEM’s out to talk to people and not
everyone has a mic!) I’d certainly advise setting up monitors without the ambient
mics then mixing them in, or you’ll get a distorted idea of what you’re
listening too.
On monitors I found probably the biggest surprise of all
though. These days it’s normal to mix multiple IEM feeds with wedges across the
stage, so listening to the mixes on either a listen wedge and IEM’s, as appropriate,
is essential to get a good job done. It’s also pretty normal to be on stage
with musicians working on the mixes with a tablet and hearing protection is
always high on my priority list. Being able to keep my Evolve Live!s in pretty
much all the time was a revelation.
Listening to wedges using the ambient mics might not be
quite the same as listening directly but it is pretty close and more than
workable. Besides, you always have to mix for someone else’s hearing and we all
hear things differently. Using the benefit of
the isolation from the moulds to protect my ears but being able to mix in
enough ambience to talk to musicians on stage was so helpful. I’d not really
considered working that way, but I suspect I will be doing that more &
more.
Conclusion
I looked at this setup as an investment in my hearing but it’s
already opened my eyes (ears?) to new and better ways of working.
If you’re looking for high quality, well supported, custom
moulded IEM’s then look at ACS Custom.
If you want to go the extra mile and
look at the future of IEM’s then look at ACS Custom Live!
I’d recommend this setup to any musician or engineer who’s
serious about the sound they hear and serious about their hearing.
Note I should add that I do not work for ACS Custom and
bought my Evolve Live!s and my ambient
pack as a normal customer.
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